Critic Raúl Díaz… “In an important way the young and beautiful Enivia (Nedda) fertilized with a really beautiful lyric soprano voice managing it in a complete bearing and secure way, giving us the best impression because, beside all of these, she really tried to interpret the roll of a woman sick of her husband and life itself, who is completely in love with another man.”
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Critic Lázaro Azar… “Just for the one who meant the night discovery: Enivia, whose vocal and histrionic qualities gave her Nedda so much passion, conviction and drama – essential in the truthfulness- that at the end of the day we wonder why we have not heard her more.”
Critic Francisco Arvizú:… “Amazig Enivia’s debut, with a strong and sexy Nedda, a moving and intimate character. Devoted and emotional, Enivia is one of those Mexican singers that we should follow closely.”
Carmen 2010, National Opera Company, criticism
Critic José Noé Mercado… Enivia – Every day a better singer by managing with intelligence and study her dramatic overtone instrument.
Critic Raúl Díaz… Renewing trumps, Enivia with a very good tone, not just in text but in performance, with the perfect nuance and overtones in each circumstance; if her “Nedda” of Pagliacci was a revelation, here we can see that she is one of those figures that the authorities should take in consideration for future and better moments.
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Critic Ramón Jacques… Enivia was a vivacious Micaela according to her participation and good vocale shape.
Crítico Ramón Jacques...
Enivia era una Micaela vivace per partecipazione e in buona forma vocale.
Peter Lefevre...Enivia carried the title role, moving from brutal drug maven to misunderstood retiree with poise and conviction — a deep, throaty, resonant voice and a strong emotive connection to the text, this was a woman in full. In the finale, Mendoza in a fluid, entrancing, unaccompanied solo, closed matters with mystery and defiance. The angelic beauty of Ortiz's melody had all the more impact, considering that just a few minutes earlier we had been watching a severed head in full flight.
© Enivia Muré 2018